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November 16, 2004

Here's another hidden gem

CD Album Title: Modern Jazz Performances of Songs from My Fair Lady
Artist: Shelly Manne & His Friends
Shelly Manne, drums
Andre Previn, piano
Leroy Vinnegar, bass

Originally Recorded:  Aug 17, 1956 by Contemporary  Records
Remastered by Original Jazz Classics

This trio of Shelly Manne , Andre Previn and Leroy Vinnegar is about as close to jazz - swing perfection as it's possible to get. It came as somewhat of a surprise that Shelly's dominating big band style of drumming is noticeably subdued in order to make room for  Andre Previn's sheer technical brilliance and the ever reliably steady  bass work of Leroy Vinnegar.Shelly_manne_1

(Photo: Shelly Manne)

The Alan J. Lerner/Frederick Loewe score of My Fair Lady, always a personal favorite, lends itself perfectly to jazz treatments by these three enormously gifted jazzmen.  Previn remarked on the original liner notes ' What Shelly, Leroy and I have attempted in this album is unusual insofar as we have taken almost the entire score of a musical, not just 'Gems from....' have adapted it to the needs of the modern jazz musician and are playing it with just as much care and love as the Broadway cast. There has been no willful distortion of the tunes simply to be different, or to have a gimmick , or to provoke the saying, 'Where's the melody?'

From the first tracks, Get Me to the Church on Time , and everybody's favorite, On the Street Where You Live, the haunting  I've Grown Accustomed to Her Face, and finishing with Wouldn't It Be Loverly, Ascot Gavotte, Show Me, With a Little Bit of Luck, and I Could Have Danced All Night, it becomes obvious to even the casual listener that the guys are really enjoying themselves.

These songs long ago were entered into the American songbook of popular music, and It's hard to tell whether any of them will eventually become jazz 'standards', which sometimes can take  generations. A case in point could be Rogers and Hart's My Funny Valentine which originally appeared in 1937 and had to wait until maybe the 1960s before it finally became recognized as a true jazz standard.

The producers of this album took the three immensley talented jazz players - Manne, Previn and Vinnegar - gave them some of the most melodic and, what would become, 50 years later, the most  recognizable material ever written, and let them create a work of their own choosing. The result was a masterpiece that even the most casual jazz buff will want to own and listen to frequently.

November 02, 2004

We'd recommend:

This will be a regular feature of this website. From time to time we'll be reviewing CDs. We'd appreciate feedback and/or suggestions:

CD: 'I'll Take Romance'
Artist: Susannah McCorkle, Vocal
Players: Frank Wess, Tenor Saxaphone and Flute; Allen Farnham, Piano; Howard Alden, Guitar; Dennis Irwin, Bass; Keith Copeland, Drums.
Original release date: September 15, 1991

Comments:

Susannah_mccorkleIt begins with 'This is the End of a Beautiful Friendship', with Susannah doing a sweet, soft swinging Donald Kahn, Stanley Styne toe-tapper, that includes some great back-up tenor work by Frank Wess, and it just might be the best  (kindest?) cut of all. Although you might be tempted to say that about any of the 15.

This cut is a little reminiscent, maybe, of a late '50s San Francisco jazz club rendition, but still, the underlying theme is always 'romance'. In fact  - whether it's Susannah's throaty interpretation of Rodgers and Hart's 'It Never Entered My Mind' (think Julie London or maybe Diana Krall),  Porter's 'Get Out of Town' and 'I Concentrate On You' - or a jumpy Frank Loesser's 'Let's Get Lost'  - it's always romance. The whole album just reeks of it.

Frankwess_1Susannah outdoes herself, though, when she gets to Johnny Mandel's 'Where Do You Start'. Man, if this one doesn't bring goose-bumps, then you just better have your pulse checked to see if you're still alive.
(Photo: Frank Wess)

Susannah's voice and her slinky style could be described with some of the adjectives that are usually reserved for a fine Cabernet - silky - rich - velvety - sensuous - deep, even profound - interesting.

We think she was at least all of those. Be sure to listen to this album with someone you love.

Susannah had 17 albums to her credit before she died in 2001  and  this one represents some of her finest work. We'd be anxious to know if you think so too.